Sunsets and Silencers

A Journal for Art, Literature, and Culture

S&S Vol 1

Sunsets and Silencers publishes fiction, flash fiction, creative non-fiction, poetry, essays, paintings, photography, and comic strips as a platform for emerging and established artists to showcase their work.

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"Whatever Happened to What’s-his-name?" Flash Fiction by Norman Waksler
 
 
 
 
            Eddie B. was stunned when the  pop star Megan Megan named him the father of her baby to be. Eddie B. was a mechanic in the small Massachusetts city of Leominster.  Megan Megan was everywhere on TV and tours. As far as Eddie B. could remember, they’d never met, never mind fucked. Eddie B. was in his balding late thirties with a fast food gut and in-debt eyes. Megan Megan was a blonde twenty-one with a washboard stomach and a hard little ass, fine legs and a mouth like a lipstick ad. Eddie B. thought her singing was screechy, but god, she was a hot little piece. Eddie B.’s wife, Phyllis, after three kids and fifteen years married, was pouched out here and sagged there, so, yeah, maybe during one of their less frequent these days fucks, he had fantasized about Megan Megan after seeing her dance and sing on the tube, but as far as Eddie B. knew, that wasn’t how babies were made.


            “It was like a dream,” Megan Megan announced to the assembled media, “that you remember in the middle of the night and forget in the morning. But I know it was Eddie B. who works as a mechanic in Leominster, Massachusetts. I’m not ashamed of a one time thing, but I never want to see him again. The baby will be mine, just mine,” patting her perfectly flat abs between her low rider jeans and her high rise tee shirt.


            Phyllis was furious. “How could you sleep with that little slut? When did you meet her? Was it when you said you were going out with the guys, and instead you were getting into that little whore’s pants? You’re going to pay for this, Eddie B. I swear. My brothers’ll kill you, if I don’t kill you first.” Followed by tears that were not quite as painful as the prospect of a beating from her very large brothers who ran the family lumber yard and had really rotten tempers anyway.


            Eddie B. denied up and down that he ever had anything to do with Megan Megan, omitting to mention the fantasizing, since he didn’t think it would help matters at all. “Look. Number one. When the hell would I have had a chance to meet a star like that, and number two, why the hell would a girl like that want to screw a guy like me? I mean, come on, Phyllis, use your goddamned head.”


            “Yeah, yeah, yeah. Why would she say so if wasn’t true? You’re a lying sack of shit, Eddie B.”
            Eddie B.’s teen aged kids were upset and confused, not knowing whether to be mad at him for cheating on their mom, or impressed that he’d actually gotten it on with the totally sick Megan Megan, though they couldn’t figure out why she’d want to have anything to do with their dad who was OK, but, like, falling apart already.


            “Who is Eddie B?” asked Entertainment Now!, “Who is Eddie B?” asked the buzz sites, the bloggers, and the ezines.  So the media mobs descended on their little house in Leominster to find the answer, then after Phyllis kicked him out, on the garage where he worked, shouting questions and ignoring his denials, interfering with the other mechanics and generally keeping work from getting done.


            Not that the other mechanics minded. “Oh, sure, I knew Eddie B. was a stud from way back,” said Louis J. to the camera. “He always had a hot babe hanging on to him.”


            “Eddie B.” said Ralph P. “You never know about a guy. You look at him and you’d never think a babe like Megan Megan would have anything to do with him. But still water, you know.”


            The boss was less than happy with the constant interruption. “Eddie B. You better take some time off till this shit dies down. Did you really fuck that sweet  piece? You’re one lucky guy.”


            That was the attitude of all the guys that Eddie B. knew, and he couldn’t help noticing that there were women who looked at him differently now, like he had to be a real stud to have gotten it on with Megan Megan, and maybe they wouldn’t mind trying whatever it was he had. But Eddie B. was too tired and confused and annoyed and discouraged to want to take advantage of his chances, though he thought it would be good revenge on Phyllis if he could.


            Without a home, out of work, avoiding the lumberyard brothers, Eddie B. had a thought — he’d go find Megan Megan and get her to admit the whole thing was some kind of crazy mix-up, that somehow, maybe she’d passed through Leominster and seen the garage and found out his name and just decided to put him on the spot instead of whoever had really knocked her up.


            It took a day on the library computer among the many million Megan Megan hits to learn her location in Florida. A long bus ride brought him to her town, and a long walk took him to the gate in the wrought iron fence surrounding her twenty seven room mansion where a pair of broad and brawny guards said, “Private property bud. Move along.”


            “I’m Eddie B. I need to talk to Megan Megan.”


            One of the guards ducked into the gate house, checked a photo, came out and said, “Right. Eddie B. Miss Megan Megan has taken out a restraining order against you. You can’t even be in the same county she is, so you need to go back where you came from or we call the cops.”


            Eddie B. could’ve cried from the injustice of it all. “But she’s got to tell the world it wasn’t me.”


            “She doesn’t have to tell anybody anything, and you’ve got ten seconds to depart, or else.”


            “At least let her come out and look at me. She’ll know we never met.”


            A cell phone appeared. A finger tapped 911.


            “All right, all right. I’m going.”


            Sitting with a cup of coffee in a diner in the small town center, Eddie B. tied to figure a way to sneak into the mansion and confront Megan Megan. He fantasized black clothes at night, picking the lock, disabling the alarm, tip-toeing up the stairs to enter the suite where Megan Megan slept on her famous circular bed, her fabulous blonde hair spread around her sweet face. He shook her gently by the shoulder in some silky material. Her eyes opened suddenly, staring at him in alarm. “It’s OK,” he said. “It’s just me, Eddie B. I just need you to tell the world I’m not the father of your baby-to-be.”


           With no hurry at all, Megan Megan turned away, reached under her two pillows, pulled out a small silver automatic, and pointed it at him. “Oh shit,” said Eddie B, as he imagined what the next morning’s headlines would say
           
 


                                                                                        
Norman Waksler has published fiction in a number of journals, most recently Storyquarterly, Madison Review, Chaffin Journal, Edgar, and Epicenter. His most recent story collection, Signs of Life is published by the Black Lawrence Press.  He lives in Cambridge, Massachusetts. For a nice picture of his Cairn Terrier, Glennis,  as well as further information, see his website, Normanwakslerfiction.com. 

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chuck campbell - Fri Sep 09, 2011 @ 04:07PM
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"Strip Show" Poetry by Sara Lier

 

First I’ll take off my scars:
the long one on my arm like stripping
tape from a fresh paint job,
the burn scars like picking up
pennies on the street.
Eat them, I’ll say,
and the front row’ll open their maws
and snap down on the skin-history I throw
between their teeth.
I’ll unscrew my uterus like a lightbulb and take out
my hairs one by one, first between the legs, then up
to the eyebrows, scalp. I will stand
bald and markless, and the crowd will coo.
Wait, I’ll say, you’ve seen nothing
yet. And I’ll pop out
my eyeballs: 1, 2.
I’ll put them in a paper tube
with cellophane stretched over each end
and shake them to a beat.
Meanwhile I’ll remove my nose
and set it spinning like a top.
My ears I’ll detach and wear
like bracelets. My feet will come off
with a little more difficulty--
I’ll have to sit and pry
them one at a time. The toes’ll wiggle the way
they say a chicken does if you cut off the head.
I will remove my own head
to demonstrate the connection.
Gentlemen, the mouth will say,
 my final act. Somewhere
a gramophone will click on
with a swanky song, and I will hold each
breast like a brass knob
and I’ll part my ribs like French doors
swinging open. I’ll untie
my arteries with one pull, easy
as shoestring. The crowd will cock
themselves forward to see,
but my heart will plop out, splat.
Indecent on the floor.
Behind it there will be a room with white curtains.
There is only one person sleeping there.
Gentlemen, I’ll say,
and the curtains will blow in the wind.

 

Sara Lier is a student living in New Jersey. Her poetry has recently appeared in Inkwell Journal, The Sow's Ear Poetry Review, Conte, So to Speak, and Cloudbank, where she received a prize for the best poem in that issue. In addition, she received Brooklyn College's Academy of American Poets prize in 2007, and one of her poems was chosen by the academy for an anthology of prize winners from the last decade. She is currently looking for a publisher for her first chapbook collection. 

 

 

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chuck campbell - Fri Sep 09, 2011 @ 03:48PM
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"Moon 2" and "Moon 3" Photography by Eleanor Leonne Bennett 

 

moon2.jpg

                                         Moon 2

 

 

moon3.jpg

                                          Moon 3

 

Eleanor Leonne Bennett has had her photography exhibited around the globe in galleries and published around the world in magazines such as Dot Dot Dash (Australian), Alabama Coast and Alabama Seaport (USA), The Guardian (UK), Revolution Art (USA) , The Big Issue In The North (UK) , and RSPB Birds and RSPB Birdlife magazines (UK) . She is the winner of the UK National Geographic Photography Contest 2010, The World Photography Organization's Photomonth youth award 2010 , The February 2011 winner with Nature's Best Photography, Winston's Wish 2011, Papworth Trust, and has also won three National Art contests.

 

 

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"Love Song for the Impossible Him," "Binghamton," "On Being Erroneously Called a New Yorker Again" Poetry by Erin Elizabeth Smith

 

 

 

Love Song for the Impossible Him

 
after Millay
 
It was when he held me
on the street corner
as we broke for our separate homes
in late November –
that same month I always fall
in love. There wasn’t the itching
of cold in Mississippi
as there had been
in all those other states,
just the strange warm promise
of my cheek on his chest
and the quick cling of hands
before we crossed that street.
 
 
This sounds like another poem
about a man I used to know,
engaged now
while I am married
to neither,
those two hard-backed men
I could never turn to more
than brief stanzas, fleeting night
dreams of rabbit holes and
shabby ladders.
 
 
Drunk in his car, one night,
I tell him to follow me
up the dark stairs.
I broke somewhere
when he said No. The simplicity
of denial and the small-hearted
rage of skin
that needs bedsheets and the tossing
sleep that follows.
That New York love made over
again in the Deep South,
where the cicadas are nothing
like the upstate thistle
but sometimes they are promises
made in heat, enough
to break the loneliness
of coffee and morning television.
 
 
How easy it is to remember – him
on a stool in the windowless dark
of afternoon bars
while the bourbon carmelized in ice,
and my knee kept brushing his
again and again
in that improbable space
between us.
 
 

Binghamton

 
On April 6, 2009, a gunman opened fire on a center
where immigrants were taking a citizenship exam
in downtown Binghamton, killing thirteen.
 
 
It’s not hard to remember
her through the television
snapshots – the congressional
church on Main looking out
along the strip of chicken
joints and the red brick high school.
Everything needing
a good scrub from the salty
winters, industrial closings,
her sad desire to be reborn.
 
 
A thousand miles away,
and everyone’s saying her name
like I never left, like she is sitting
on my porch again,
fingering the mimosa she killed
in its clay pot. I can almost touch her
even here, in this Southern city,
where the bushes turn twenty
shades of pink in February
and the deafening grey
of the rainy season is but a bluster
of winter and then the pirouetting spring.
 
 
It’s as blue today in Mississippi
as it was that September in New York
when the great cats of those buildings
skinned themselves to ash.
I stared out my window that day too,
looking at her in the backyard,
the thistle crinkling violet on the green.
A cat rolled and rolled in my garden,
turned up its newly brown body
and hopped the fence.
 
 
That’s most of what I remember of that day,
and I look at my own cats,
chasing each other in and out
of my car’s tires and wonder if this
is how I’ll see her now—
the vested police with their long guns,
a blockade of lights and firearms.
My one loved city reduced
to headlines, her proximity
from New York. And me so useless
and distant, wanting nothing
but a home to cradle her in.
 
 
 

On Being Erroneously Called a New Yorker Again

 
It’s not that I don't want
your palate of hill, roughed up
autumn color. I would take it all –
the stones in the dried Susquehanna,
the candy sunsets and all the slow turns
on the dark drive to Ithaca.
 
 
I would take the closed summer rinks,
the children clung
on the necks of carousel mares.
Stretches of surprising cows
and corn and the barns
long sunk into themselves.
Take the imploding
shoe factory, the starving doors
of IBM, the remains of the Art
Theater, its five years of ash.
 
 
I’d take the terrible pink
of that retirement home
and scrape it to its bergamot beginnings.
Wash the arena windows
until they shone like dimes,
dress all the bandages
on the heels of you, my city, and lullaby
the mounded snow to spring.
 
 
But I inherited another story –
dimpled palmetto forts, the dignity
of Southern dead, songs about cars,
cornbread and cast iron. Where I’m from,
we do not believe in New York,
but still, I’m Wendy,
sometimes, in her bed,
staring into the sad black
of a story that is no longer mine. 

 

 

Erin Elizabeth Smith is the author of the books The Fear of Being Found (Three Candles Press 2008) and The Naming of Strays (Gold Wake Press 2011). Her poetry has previously appeared in 32 Poems, The Yalobusha Review, New Delta Review, Water~Stone Review, Third Coast, Crab Orchard, and Willow Springs among others. Erin holds a PhD in Creative Writing from the University of Southern Mississippi and is currently a lecturer in the English Department at the University of Tennessee. 

  

 

 

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chuck campbell - Sun Jun 26, 2011 @ 10:39PM
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"The Canyon Sleepers" Fiction by Donelle Dreese 

The Canyon Sleepers

From behind a narrow oak tree, Mary Ann peered down into the forest canyon at Jordan. He had fallen asleep on a bed of damp, crumbling leaves.  Her vision adjusted to the distance and she observed the canyon as it grew crisp with lines and shapes as darkness fell over the landscape.  Jordan's eyelids flickered in his fitful sleep, and she knew that he would not wake anytime soon.

Less than a year ago, she had moved to a new city. Near her apartment there was a broad stretching park, Redleaf Woods, not far from the airport.  On the park’s wooded trails, she walked a thick path in the summer months, when it seemed the trees had been in bloom forever, and she often heard the roar of airplanes taking off a short distance away.  The sound always gave her a rush in her chest. She imagined herself as a passenger, free to explore, to go anywhere in the world.  What she really wanted was to experience the certainty of space and vastness, the expanse of the ocean, and far-spreading cornfields, or the desert.  But the undergrowth in Redleaf Woods made her feel claustrophobic, as if the plants and vines wanted to push themselves from their soil beds and wrap around her ankles so she couldn't walk or run away .             

Mary Ann thought that Jordan loved her to the degree that he hated her.  He wanted to give her everything, it seemed.  He wanted to buy her anything she wanted, to show her the farthest corners of the blue world, but then, he wanted to hurt her as well, and his cruelty was dark. 

In a way, Mary Ann understood this.  It reminded her of how she felt when she went to Niagara Falls and stood inches from the railing, peering over at the quiet, white arc of water that plunged into a deep, rocky oblivion.  The current foamed and flowed; it carved and sliced a yawning river canyon spinning with jade and emerald whirlpools.  There was something silky and sensuously alluring about it, yet it filled her with such incredible horror that she never went back. 

Perhaps her actions were coming from that same place where fear and attraction live. That day,  after the visiting the falls, she had decided to go to a nearby shopping plaza. While there she had bought and assembled a basket of gifts for Jordan. She thought she would surprise him at his doorstep, bearing fruits and flowers, to recreate that sense of spontaneity that was such a thrill when they first fell in love.  If he wasn’t there, she would wait for him and hand him the basket of gifts as he walked in the door. 

She fantasized about his face, how he would look shocked, then start to smile, and maybe he would run his fingers over the satin cloth of the purple négligée that blossomed from the basket.  It was a two-hour drive, so she hurried through the checkout line and left town, stopping at a windy gas station on the outskirts of the city.  She drove south through first sun, then an autumn storm, then the darkness, which had freshly fallen when she arrived at Jordan’s apartment.  Mary Ann sat in the car for a short while and stared blankly at his front door, which she could clearly see from her vantage point on the other side of the street.  She saw herself on the street, or one much like it, many years ago walking, elbows locked with her lover whose abuses she mistook for love notes.  She still felt ashamed for her devotion, how she stayed even after he put his fist through her bedroom window.

In the passenger’s seat of her car was the gift for Jordan, a basket filled with his favorite nonperishable foods, a bottle of Brandy, dried strawberries, macadamia nuts, a candle, matches, and the deep purple silk négligée folded up and tucked into the side.  As she gathered the basket and arranged its contents, she heard a door slam, then another.  She looked over at the parking lot and saw Jordan had come home, but he was not alone. 

In the streetlight, she could see that the woman wore a brightly colored orange scarf around her neck, a color Mary Ann would never wear.  Some keys faintly rattled as she watched the woman give the overnight bag to Jordan to hold while she unlocked his door.  Mary Ann had choices. She wanted to think this time before reacting. 

Her legs and hands shook violently and the adrenaline in her body made the porch lights and headlights from other cars passing by explode in front of her.  She kept saying to herself over and over again, I've been asleep, I've been asleep

The fury lingered through the evening hours. She felt justified in wanting to wreck Jordan’s life . But soon, this feeling began to transform into a quiet resolve, cooling the shock and fever inside of her.  She took her cell phone from the glove compartment and dialed his number.  He didn’t answer, though through the window of her car, Mary Ann could see that his front room lights were on. Periodically, she saw shadows behind the curtains, moving like ghosts. 

On one dialing his voicemail picked up her call, and she left a message saying that she was on her way to see him.  Perhaps she wanted to give him a chance to send his houseguest to a hotel, but more likely, an angry part of her wanted to make him panic.  She imagined him nervous, a concerned look on his face, a distracted demeanor, the portrait of a liar.   

When she pressed the OFF button on the cell phone, something unexpected came over her, a monstrous and singular calm, almost resembling joy, like the unimaginable hope when the eye of the hurricane is overhead.   The darkness outside contrasted the lightness that was slowly growing inside of her.  She hoped it wasn’t fleeting or some false euphoria created by a part of her mind trying to escape the shadows of what she knew to be true.  She was, if nothing else, self aware. When falling into an abyss, not only was she aware of the fact that she was heading south and that it was going to hurt, but she could usually determine the rock strata and wind velocity on the way down.  But, just because she knew these things didn’t mean she could stop the fall.  She looked up from the steering wheel, her cheeks still wet with tears, and stared firmly into a streetlight.  With all of the hurt she too had felt in the relationship with Jordan during the past tumultuous year, she had not made this choice. 

She started her car and pulled on to Interstate 95 to head back north. 

By the time she was half way home, she ate nearly all the food in the basket she had bought for Jordan.  She left an apple and a bag of pine nuts for lunch the next day.  Mary Ann watched the highway lights flicker by in the darkness, and she wondered if she would ever make this same drive again – would she find herself at this place again, in the middle of the night, eating her love from a gift basket. 

When she arrived at her apartment, it was four in the morning.  She went into the bathroom and slipped on the négligée she had taken to wear for Jordan.  She poured a tall glass of the brandy and held it in the air watching the brandy swirl in the glass over her head.  Mary Ann sat for an hour, quietly sipping, running her fingers over the thin, polished surface of the négligée.  She didn’t know what to think of Jordan, or the night’s events, which began to take on elements of the surreal, though still tangible.  She went to bed for an hour but couldn’t sleep, wondering if she jumped to an awful conclusion too quickly. 

She felt betrayed. She felt detached. She felt liberated.  She somehow knew that the path she had been walking was going to lead to this clearing.  She knew it had to.  She had this feeling; it was like cool water running over a hot wound. 

In the early evening of the following day, she went for a walk along one of Redleaf’s woodland paths covered in warm, mustard, autumn colors and she lifted her head high to breathe in the air .  She almost didn’t go.  She knew that if Jordan were to look for her, this is where he would look.  He would be wondering why she didn’t show up at his apartment last night after she made the phone call.  He would see her car in the parking lot at the trail head, but all she thought about was how the sky was cloudy, but not dark, fresh but not cold, moist but not humid.  The path led over a small stream canyon, with a bridge bonding its sides in order to cross its width and the dwindling tributary that once must have been something.  She still dreamed of seeing the Grand Canyon.    

On her walk, Mary Ann heard the familiar sound of a thundering jet lift from the runway carrying passengers to their hopes or hassles.  The engines echoed loudly, but rarely could she see the planes through the trees.  She imagined in her head the fire blowing from beneath the wings and the plane’s nose cocked upward, pushing through gravity with stunning force.  She thought of Jordan and how he was with her the first time she flew in a commercial jet, when they had taken a trip to visit friends in Arizona, how she wasn’t scared, but rather very curious.

Maybe they would go to the Grand Canyon.  Maybe there is some way she could look Jordan in the face and not see the shades of warning: red, the color of blood, the color of brandy and apple, the purple négligée, the orange scarf.  Maybe they were already there.  In mid-thought, the explosion startled Mary Ann, but she never saw the direction from which it came, headlong into the narrow canyon of Redleaf Woods.  Private planes had crashed in Redleaf before, but only once before did a jet of that size pummel through its trees, too long ago, long before she lived near the park.

Later that evening, as close as he could get to the crash site, Jordan knelt in the bottom of the canyon next to the small stream that held a few pieces of crash debris.  Mary Ann knew he would come to look for her. 

It had been easy before she saw him, and felt his energy, as she had always felt it so many times before, that familiar dark rumble of distant thunder.  Mary Ann felt her skin tighten and her ears become sharp and hollow, like the two times in her life when she heard a voice in a room say her name, generic and plain, but her name as surely as she heard the clock tick or the dog take a deep breath in his sleep.  But there was no one there, and the voice was not one that she recognized.  She watched Jordan by the moonlight that was streaking through the trees.  She wanted to speak, but she knew she would see honesty if she remained silent behind the trees.  In the distance, she could hear the firemen, policemen, airline officials and investigators hardening themselves to do their jobs.  She wondered if Jordan thought she had been hit by the plane while hiking.  

Every now and then, a thin blade of spotlight cut down through the trees passing the orange tape that outlined the site and bled into the water lightly gurgling over small, round stones.  She could see the moss growing on the stones, and the dead pine needles that gathered had exposed the roots of trees.  Jordan’s eyes seemed to turn blurry with grief.  She thought that whatever he had been running from, in her, in himself, in the world, was there in front of him now. 

Perhaps he thought if he loved another woman he could get away.  Maybe he thought that if he worked all day that he could avoid it, that he would be too tired to face it. Maybe if he told enough lies he could make a world where those lies were true. His masks would protect him.  Mary Ann’s body was filled with an incompatible mix of disgust and sympathy, resentment and adoration.  She wondered if he felt responsible, not because of all that he had done, but because of all that had to happen. 

A faint glimmer of light from the eastern horizon filled the forest with thin black shadows. He fell asleep there, a child on a bed of pumpkin-colored leaves.  Mary Ann quietly crept down to the bottom of the canyon and sat on a rock near his face, swollen and in pain.  She didn’t wake him.  She didn’t say anything.  She only thought, how are we going to clean up this disaster? Mary Ann closed her eyes and imagined herself in the middle of a wide, golden stretch of prairie where the blowing grass whispered as the stems stroked one another.  In the distance, she vaguely heard the rescue crews discussing the crash a good distance away.  Jordan’s eyes were dark underneath, sunken in.  She closed her eyes and rested her head back in the curve of a tree trunk behind her and thought of the Grand Canyon, how everything but the sky diminishes in its space. She had heard that seeing the Grand Canyon could strike an inexplicable awe in a person, but she wanted to see it for herself someday.  She wanted to leave this narrow ravine that smelled of smoke and gasoline.  Even though she couldn't see the trail, she pulled herself away from the tree trunk and started walking.  She had a sense of what was ahead – a steep hill, branches scraping her face in the dark, a high probability that she would get terribly lost.  Looking straight down at her feet with her boots pointed forward, she kept walking.

 

Dr. Donelle Dreese is an Associate Professor in the English Department at Northern Kentucky University.  Donelle had her work published in numerous magazines and journals including the Journal of Kentucky Studies, Appalachian Heritage, Terminus, Gulf Stream Magazine, Organization & Environment, andISLE: Interdisciplinary Study in Literature and the Environment. In 2008, her chapbook of poetry, A Wild Turn, was published by Finishing Line Press, and in 2010, her book of environmental writing, America's Natural Places: East and Northeast was published by Greenwood Press.  Finally, Dreese’s second chapbook of poetry, Looking for a Sunday Afternoon, was published in 2010 by Pudding House Publications.   

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